Publié il y a 26 jours
Editor/Motion Designer
@ Diamond
Toronto, Ontario
En bref
Diamond is hiring a full-time Editor/Motion Designer in Toronto, in a hybrid arrangement, to cut case studies, sizzle reels and digital content and to design and animate motion across formats. The role requires 3+ years of experience and fluency in Adobe Premiere, After Effects, Illustrator and Photoshop.
Responsabilités :
- Edit case studies, sizzle reels and award entries
- Edit digital and social content
- Animate 2D, 3D and kinetic type, explainers
- Design motion across phone, feed, billboard and transit formats
- Concept with style frames and boards early
Résumé des exigences :
- 3+ years experience in agency, design, in-house or production
- Strong editorial skills for structuring films
- Motion skills beyond titles on top of an edit
- Adobe Premiere, After Effects, Illustrator, Photoshop
- Typographic judgment and music editing ear
- Reel showing range across cuts and motion
Outils et compétences
Source et dates
Site carrière / système de candidatures · bamboohr
- Date publiée par l’employeur
- 2026-10-14
- Première détection par notre source
- 2026-10-15
- Mise à jour du dossier source
- 2026-10-15
Ces dates décrivent le dossier source, pas une vérification en direct du recrutement. Consultez l’offre originale.
Détails du poste
| Niveau | Intermédiaire |
| Domaine | Design et création |
| Expérience | 3 an(s) et plus |
| Heures par semaine | 40 (estimé) |
| Déplacements | avion : aucun · route : aucun |
| Milieu de travail | Bureau |
| Position | Surtout assis |
| Exigences physiques | physique faible · ordinateur élevé |
| Langues | English |
Résumé et détails rédigés par l’IA à partir de l’offre; l’offre de l’employeur fait foi.
Diamond
| Champ | Valeur |
|---|---|
| Offres sur Jobsy | 4 |
Editor/Motion Designer
The job:
We make work for UNICEF, TD, Canada Soccer, Pizza Hut, Terry Fox Foundation, Canadian Blood Services, Mattel, Samsung. We make great work. Then someone has to make the film that proves it.
That’s half of this job. The other half is making things move.
You cut and you animate. Equally well. You can build a case study that makes a jury lean in, then turn around and design motion for a feed, a billboard, or a screen in a stadium concourse.
Three streams:
Case studies and sizzle reels. The films that carry our work to juries, to clients, to new business. Story first. Results that land. No three-minute montage set to a stock track.
Brands. Motion for digital, social and OOH. Built for the placement, not resized into it.
Diamond. Our channels, our reel, our own reputation.
What you’ll actually do:
- Edit case studies, sizzles and award entries. Find the story in the footage, the stats and the press, and cut it tight
- Edit digital and social content
- Animate. 2D, 3D, kinetic type, explainers. From scratch or from a brand’s guidelines
- Design motion that works across formats. Phone, feed, digital billboard, transit screen
- Concept. Style frames and boards, early, in front of people
- Work with writers and designers on pacing, hierarchy and narrative
- Own your files, exports, specs and timelines. Multiple projects, fast environment, no chasing
- Sit in the room early. Not handed a finished idea and asked to decorate it
What you need:
- 3+ years experience. Agency, design shop, in-house or production side, we don’t care
- Real editorial chops. You know how to structure a two-minute film so nobody checks their phone
- Motion skills that hold up on their own, not just titles on top of an edit
- Adobe Creative Suite. Premiere, After Effects, Illustrator, Photoshop. Whatever else you bring is a bonus
- A killer eye, sense of style, and taste in reference
- Typographic judgment. Most motion work fails on type, not animation
- An ear. You can cut to music and you know when a track is doing the work for you
- You know your specs. Formats, transcoding, delivery to vendors and platforms
- A reel that shows range. Cuts and motion, not one style repeated
How we work:
Hybrid. Our office is in Toronto. We move fast and we’re not stupid about it.
To apply:
Send a reel and your CV. Lead with your best stuff. Show us something you cut and something you animated.
Tell us what you did on each piece. Specifically. We can tell the difference.
Journal
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